Parker McCollum Says Adios To Metaverse Concerts And Howdy To NFTs

Parker McCollum is a country boy first and a country singer second, despite being platinum’s number one “Pretty Heart”. And rural boys are stereotyped and engrossed in the experience of living in the true south of the dusty prairie. So it’s no wonder McCollum doesn’t care about virtual concerts. “Live music is very special, and I don’t think there is any technology in the world that can reproduce it through all kinds of virtual experiences,” McCollum said.

There are many people who bet a lot of money he is wrong. AmazeVR has earned over $ 30 million in investment capital Revolution Concert through a set of goggles. Another Space competitor, Wave, raised about the same amount only in the second round of multiple investment rounds.

The result is the perfect result of the system that precedes them. And the country boy is now part of the system. His platinum record was unlucky-it was a consistent and difficult joint course in labor. “Because I belong to a major label, I cut 3-4 songs at a time,” says McCollum.

Despite his success, he is working hard on himself. “I rarely get out of the studio and really happy with what comes out of the studio,” he admitted. There is a horizon in the pressure he puts on himself. “There is a window,” he believes. “I have a record deal. I have the number one platinum song. Hopefully I have another one. If I can’t get to my destination in two years, mathematically Is not likely to get there. ”

Among him is a stone that keeps pushing, pushing down and raising him. “I don’t know if everything isn’t completely blown out of the water in the next 24 months. That would be pretty disappointing,” McCallum claimed.

However, the art timeline often refuses to line up. One of his songs, “Heart Like Mine,” took almost five years to write. His companions Tony Lane and Ben West were jamming and McCallum threw it there. Almost as soon as the challenge was given to them, Tony and Ben came up with the idea for a chorus. Forty minutes later, the boys sewed a song.

It does not mean that he is a stranger to difficult tasks. He spent the summer breeding and destroying the Quarter Horse on his grandfather’s ranch. He rode a horse and kept a cow all day long. One day he and his companions cut a little earlier to go for beer and fish by the river.

“Many of them inspired the part of my childhood songwriting,” McCollum recalled. “We work all day, listen to our favorite lessons and play the guitar at night.”

As a country artist, he’s dead with a focus on Southern reality: hunting, fishing, the heat of West Texas, neon lights of Austin, and the forests of Nashville. It keeps him away from making music in the Metaverse, where sweat is a simulation and neon never burns out.

“It’s funny, people have asked me [about virtual concerts] There are so many these days and I don’t want to entertain that idea either, “he said. “I don’t know why you want people to see your show from anywhere. You want to raise that expectation and get people excited about you going through their city. “

However, NFTs do not cause discomfort to Parker McCallum. His buddy sent him a series of studies on technology and its promise to industries like music. When MusicFX approached their vision and gave an overview, he was ready and joined. MusicFX has designed a fan club whose membership has been confirmed by an NFT that promises access to the VIP sections of concerts and events, “Jam Sessions” and “Secret Airdrops” and meets and greets them.

“It’s very new. And it’s very evolving. It just gets better. After playing for a year or two, you know what you really want to be,” McCollum said. I told you. “Now we’re throwing darts at the wall, seeing what sticks together, and trying to get into the game. That’s a fun part. It’s the Archetypal Old West of NFTs.”

Not all Web3 products are created the same. The failure of Metaverse concerts for McCallum is the separation from reality and the replacement of traditional live music. The success of NFTs is their ability to contribute to the real life of their fans.

“I don’t know how interested fans are in the real NFT, like the frog picture,” McCollum yelled. “But I know they are interested in fan clubs. I can give them a chance to win a once-in-a-lifetime experience, and I want to be part of that.”

What is clear as a day about country singers, poets and performers is that he is by no means a man like bs, despite the sheer number of beef patties from which he was born. He took the five years needed to develop the song. He wasn’t happy to leave the studio with platinum number one and other songs on his hit album. He doesn’t step within the scope of a rattlesnake virtual concert. Therefore, for such artists to tackle NFT head-on, music and technology industry experts are informed that the outline of the evolving web3 ecosystem is open, especially where technology enhances the actual experience. I need to tell you. And it should say something about the wit and wicker of the cowboy Parker.